ASL Interpretation
In this global seismic reshake, we are reminded that there is no beginning or end; but cycles and storms that our ancestors and grandchildren will have to weather. Let us receive, share and celebrate art that asks of us to consider our collective humanity, what we will leave behind and who will have access to it. We close the 10th Annual Vines Art Festival in the shared lore of our lineages, dreaming collectivity into the future fibres of our daily lives.
In partnership with Rumble Theatre
Featuring
Oh Pray Tell, Raven Grenier, All Bodies Dance, and Orchid Orchestra
MC
Abi Padilla & Oswald Pingol
1:10 PM | Kwitsel Tatel
1:25 PM | Gamelan Kembang Telang
A performance of traditional and contemporary Balinese gamelan music, featuring contemporary works by Ryan Swaryandana (with dancer Ayu Karisma) and I Made Subandi.
1:55 PM | D Fretter
D Fretter a spoken word artist/indie pop musician living on the unceded territory of the Semiahmoo Nation. He began writing at a young age when he and his friends began freestyling over vinyl records and instrumental tapes. As a poet D is known for preaching a gospel of self love and challenging listeners to imagine a better world. As a singer/songwriter D opens up about loss, love, and community.
2:20 PM | Ashvini Sundaram – Krishna Panchaka Mallari
This bharanatyam piece was choreographed by Rama Vaidyanthan who is known around the world for her contemporary perspective on Bharatanatyam within its classical canon. The piece evokes praise for the divine consciousness, describing its physical beauty through elements of nature, like the lotus petal feet, eyes in the shape of fish, and limbs like ocean waves. “Oh divine being, embrace me. I submerge within you.”
2:35 PM | George Christian Vasquez – Plants dance
Visual Vernacular, an ASL storytelling technique that is a culmination of elements including strong body language, facial expressions, and mime from my imagination come to life using only my hands, face, and bodies.
2:50 PM | Raven Grenier - Wolverine
Wolverine is about queering the notion of the shapeshifter being that lives in the house beneath the waters. It is about celebrating all gender identities that identity with the concept of the Gitxsan nochnoch Wee sim no sik, and femme power through the context of prince hood.
3:05 PM | Shina – lovers in isolation
A compilation of original music and covers.
3:30 PM | Elizabeth Yip-Armitage – Earthbound Spirit 地缚灵
Earthbound Spirit 地缚灵 is a movement score driven by the bond between human and earth cycles: cultural rituals, life cycles, circadian rhythms, seasonality, and looping earth systems. Urban environments and culture have disconnected us from our rituals and rhythms of nature. As we dwell in our Anthropocene, how will the bond shift, break, and attempt to heal?
3:50 PM | Oh Pray Tell – Weaving Our Ways
Oh Pray Tell is a musical trio of interdisciplinary artists – Shayna Jones, Betty Supple and Sally Titasey – based on Sinixt Territories in the West Kootenays. Our sound is rooted in RnB, soul, gospel and folk. Three-part harmonies grounded with banjo, cajon and stomp-clap rhythms carry folk stories, our stories, jokes, invocations, questions and declarations. Through a process of “scrying what is,” we weave poetry and melody and allow it to transform us as we move through new and ancient worlds of rhythm, song and spoken word. Shayna Jones (she/her) is a full blooded African Canadian woman. Sally Titasey (she/they) is a Torres Strait Islander (Indigenous Australian) of Melanesian descent with ancestry from Indonesia, England, Scotland and Ireland. Beth Stupple (she/they) is a descendent of white settlers with ancestry from England, Scotland, and Ireland. Our collective themes touch on identity, sense of place, and social responsibility through creative expression of our personal experiences. This, for us, is an important part of healing from and recognizing our respective relations to colonial oppression, and is our humble offering.
4:25 PM | Joshua Ongcol – The END
The Energy Never Dies (E.N.D.) represents an interdisciplinary collaboration of dance and music, aimed at exploring the concept of “cypher” within dance communities. This term refers to the openness and generosity that exists within the circular dance formation that energizes the communal flow state. This conduction of energy is characterized by the exchange of creativity and movement between individuals both inside andoutside the circle. The Energy Never Dies meditates on patterns, cycles and rhythms formed between dancers, community and onlookers to further investigate energy and movement as a state of being that tethers and connects us to one another both socially and culturally.
4:55 PM | Ready Dance Youth Project (All Bodies Dance) – reMARKS!
reMARKS! is co-created by participants of Ready Dance Youth Project alongside professional dance artists Harmanie Rose and danielle wensley. The piece playfully integrates music and sound making, voice, and drawing along with both improvised and choreographed dance. reMARKS! draws focus to sound making and highlights the sonic textures of the outdoors while welcoming spectators into a joyous approach to performance. The dance is performed to original music created by Ben Brown, which includes field recordings from rehearsals.
5:10 PM | the squids – unfolding separability
Tucked into the layered folds of global inequality, heteropatriarchy, environmental collapse and overarching colonialism is a socialized logic of separability from the land and each other. This predicament is at the core of our creative inquiry for this performance. How can we open the space for witnessing our disconnected relationships, without shying away from the discomfort it brings? This performance is an offering to the collective process of hospicing the systems of violence/oppression/ (both within and outside ourselves). To wit(h)ness and hold our contradictions as a way of evoking responsibility through mask play, clowning and experimental sounding.
5:35 PM | Pesewa
Solo musical performance featuring kologo, vocals, and flutes, accompanied by ambient backing tracks.
6:00 PM | Elite Squad – Unity Rhythms
Unity Rhythms embodies the core of Pan-Africanism’s principles of unity, resilience, and liberation in a multidisciplinary performance showcasing the diversity and vibrancy of African rhythms in dance, music and storytelling. It pays tribute to the extraordinary contributions of African peoples throughout history. The production highlights the fusion of traditional African dances with contemporary elements. At a time when the world is increasingly recognizing the importance of cultural diversity and the need for unity in the face of global challenges, UNITY RHYTHMS serves as a powerful force to bring people together, transcending boundaries and differences to foster a sense of togetherness and solidarity.
6:20 PM | Marco Esccer, Carolina Silva, Carla Alcántara – Agridulce (Bittersweet)
Agridulce [Bittersweet] is a Spanglish storytelling 10-13 min performance that involves dance, singing, and poetry. With original music from Carolina Silva it evokes the theme of migration and its nuances. Nostalgia merged with joy, ukulele and singing: three voices, three suitcases and three bodies, shaping the stage into the imagery of migrants.
6:35 PM | Orchid Orchestra
Orchid Orchestra invites you into a space of shared vulnerability. Their unique blend of indie pop, hip-hop, and gospel creates a tapestry of raw, authentic emotion. With heartfelt lyrics and soulful melodies, they explore life's imperfections, offering a moving and cathartic experience.
soya – 我地 Us & Land (Rope & Movement Interaction Piece)
2-5 PM
Every body is invited to engage with the rope webs between trees in this interactive piece, mirroring the interconnectedness found within the mycorrhizal network. Play with the ropes to explore how they can support various body types with a wide range of movements, all while embracing the trees.
steph cyr – ...and a throbbing fog
(3-6 PM, every 45 minutes - timeslots must be reserved ahead of time)
"... and a throbbing fog" is a side quest. come for an intimate interactive walk and one-on-one performance along the perimeter of Trout Lake. you will be hosted and guided through text, poetic imagery, sound and sensation to flirt with water, foliage, dirt and flesh.arrive peckish.
"it walks with you
already enmeshed with you
you unfurl endlessly behind
gush forward
drenched in flower dust
cradled by seams between fronds whispering on one another
through running laughter and bog water"
Chantelle Trainor-Matties
Chantelle Trainor-Matties will be using leftover mural paint to create a new work of art to be shared at the Vines Art Festival!
Elisha and Carmen – Timelapse
Timelapse is an interactive installation with a gathering space, soundscape and sculptures. Conceptualizing and understanding the intricacies of our cultures through an experiment with traditional Chinese instruments and floral crafts. The flowers are a visual reflection of how a community grows and heals together. We are always learning about each other and as we walk on our own paths together, we create change while trying our best in building a better place for each other and for future generations.
exposition of life
This piece is a rendering of the loving tending we must do for the earth that is beneath us and within us. By blending natural earth elements, such as Tansi with found items, such as sea glass and playing with the use of shadow and story, this piece seeks to inspire how love fertilizes, regenerates and holds the interstitial space between community, spirit and body. This exposition of life implores us to sit in the soil of our souls as we bloom, break, dream and discover.
Invisible Dream Caravan Collective
Invisible Dream Caravan is a nomadic space where you can receive intuitive readings, dream interpretation, oracle advice & attend a writing workshop. As people who have experienced homelessness & come from lineages of displacement, your hosts will construct an abstract caravan as an anchor for our visions. The installation is a symbolic representation of the traditional homes of the Romani people decorated with lights, beads, plants, fabric & cultural protection symbols, an interweaving of our collective's shared ancestral cultural aesthetics.
Samantha Walters – Over There
Over There is an interactive outdoor performance installation that blurs the romanticised concept of ‘nature’ taking place elsewhere. The piece is site-specific and inspired by touristic 'scenic viewpoints'. An audience member approaches the stand for this viewpoint and in doing so is positioned in a specific way such that when activated, they can view a decidedly 'unnatural' happening taking place in the distance.
Sami Shahin
Sami Shahin, a multi-disciplinary queer artist of Palestinian and Syrian heritage, is deeply rooted in illustration, digital art, and animation. Passionate about bolstering representation within the SWANA queer artist community, he intricately weaves his background into his art, drawing from the rich tapestry of Levantine Arab history with a pronounced focus on the liberation movements of the Palestinian people, interwoven with his gay identity.
Victoria Marie – Reclaiming Ancestral Cosmologies
These paintings represent a few of the sacred feminine images from the cosmologies of my Ancestors that show up in my DNA results. Three of the pieces represent my West African heritage and one my Celtic heritage.
Based in Vancouver, Gamelan Kembang Telang features a quartet of musicians performing traditional and contemporary Balinese gamelan music. The ensemble’s unique instruments are associated with the instrumental music used to accompany Wayang Kulit, the art of Indonesian shadow puppetry. The group’s repertoire features contemporary works by Ryan Swaryandana and I Made Subandi which showcase bold new directions in techniques and styles. The ensemble’s name refers to the blossoming of the blue telang flower, a vibrant and medicinal plant which adorned the gamelan studio of I Made Subandi, the group’s late mentor.
D Fretter a spoken word artist/indie pop musician living on the unceded territory of the Semiahmoo Nation. He began writing a young age when he and his friends began freestyling over vinyl records and instrumental tapes. As a poet D is known for preaching a gospel of self love and challenging listeners to imagine a better world. As a singer/songwriter D opens up about loss, love, and community.
Ashvini Sundaram (pronounced uh·sh-vi-nee su-ntha-rum) is a bharatanatyam-trained dance artist and emerging choreographer who holds an MFA in Dance from York University in Toronto. Born in Singapore, raised in Vancouver and trained in India by Rama Vaidyanathan, Ashvini targets questions related to cultural identity and decoloniality. Her choreographic research on minimalism called “Art of Time” examines "cyclical time" as seen in Indian classical music, aiming to transcend normative framings of time, body, and presence as seen in Western scholarship and dance writing. Ashvini developed this research at the Dance Centre's 12 min max program with dramaturg Claire French (PhD) and three other Vancouver-based dancers with funding support from the BC Arts Council. In Dec 2022, Ashvini was a selected participant in the Dance Artists in Residence program at The Banff Centre for Arts and Creativity, where she worked alongside contemporary dancer, Yui Ugai, to develop their duet called “home l a n d" which was presented by Dancing on the Edge Festival, Tangente, and CanAsian Dance Festival.
Christian's parents arrived in the United States of America from El Salvador located in central america. Christian is thankful for parents' bravery to make this transformative decision that changed life forever. Christian was born in Los Angeles, CA, during the time of the infamous LA riot that was caused by the death of Rodney King. That spurred a move to Seattle, WA and settled down in BC, Canada.
Raven is a fourth year First Nations Indigenous Studies student at UBC, Artistic and Administrative Assistant for the Dancers of Damelahamid and an emerging multidisciplinary artist. With a background in traditional Gitxsan dance, and pow wow she is a contemporary Indigenous dance artist, song composer, and visual artist in formline design. Her work is featured at Lattimer gallery in Vancouver.
Since her iconic birth, singer-songwriter and pop/r&b fanatic, Shina, stands for nothing less than shooting for the stars. Through her work, she explores topics including but not limited to: LGBTQ+ rights, depression, ambition and love. She highly prefers not to provide specific explanations regarding the meanings behind her songs, allowing listeners to truly create their own interpretations. If you'd like to stay updated on upcoming releases, feel free to follow Shina's Instagram @thequeenshina.
Elizabeth Armitage 葉倩儀 (b. 2001) is a contemporary dance artist in Vancouver, Canada. Her dance practice is grounded in passion, dynamics, and emotion. As a choreographer, she pursues work for stage and camera that is theatrical, virtuosic, and tender. Her studies in human geography at Simon Fraser University contribute to her curiosity about spatial relationships and human connection. She is a graduate of Modus Operandi under the direction of Kate Franklin, Tiffany Tregarthen, and David Raymond. Elizabeth has performed works in and originated roles in work by Yin Yue Dance, Khoudia Toure, Shay Kuebler/RSA, b. solomon, Nicolas Ventura, and Zahra Shahab. Her experience includes movement research for Khoudia Touré and Nicolas Ventura. Past residencies include the Scotiabank Dance Centre, Boombox, and Vines Art Festival. Elizabeth received the Fall 2023 EDAM Training Scholarship in contact improvisation. She is currently a company apprentice with Shay Kuebler/RSA.
Oh Pray Tell is a musical trio of interdisciplinary artists – Shayna Jones, Betty Supple and Sally Titasey – based on Sinixt Territories in the West Kootenays. Our sound is rooted in RnB, soul, gospel and folk. Three-part harmonies grounded with banjo, cajon and stomp-clap rhythms carry folk stories, our stories, jokes, invocations, questions and declarations. Through a process of “scrying what is,” we weave poetry and melody and allow it to transform us as we move through new and ancient worlds of rhythm, song and spoken word.
Shayna Jones (she/her) is a full blooded African Canadian woman.
Sally Titasey (she/they) is a Torres Strait Islander (Indigenous Australian) of Melanesian descent with ancestry from Indonesia, England, Scotland and Ireland.
Beth Stupple (she/they) is a descendent of white settlers with ancestry from England, Scotland, and Ireland. Our collective themes touch on identity, sense of place, and social responsibility through creative expression of our personal experiences. This, for us, is an important part of healing from and recognizing our respective relations to colonial oppression, and is our humble offering.
Josh is a Dubai born, Queer, Filipinx artist that is currently a settler on the unceded territories of the Coast Salish peoples. Josh emerged in dance through the streetdance community when he battled in the first Vancouver street dance festival 2011. From there he steeped himself in street dance culture as a means for empowerment and self realization. These styles included Locking, Popping, House, Hip hop, Krump, Vogue, Whacking from local and international teaches; Jerry Chien, Koffi Noumedor, Nubian NeNe, Leah McFly, Natasha Gorie, Rina Palerina, Anna Martynova, and Sekou Heru, Raoul Wilke, Kozi Eze, Latasha Barnes, Ejoe Wilson. While he was involved in the streetdance community he continued to explore contemporary dance from Tiffany Tegarthen, David Raymond, 605 collective, Sufeh lee, Kevin Fraser, Peter Bingham, Justine Chambers, Delia Brett and Deanna Peters through the pre professional dance training program Modus Operandi and informal ways of exchanging in the local and international dance community.
Ready Dance Youth Project is a unique and diverse artistic community that celebrates and uplifts all bodies and minds.The project activates principles of intersectionality, community care, resilience, and disability justice by empowering the voices of young artists with disabilities. Launched in 2019 by All Bodies Dance Project, Ready Dance is made up of artists ages 15-30 who make and perform dance in an inclusive community where individuality and diversity are celebrated.
All Bodies Dance Project (ABDP) is an inclusive dance company located on unceded xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaɬ (Tsleil- Waututh), and territories with a mission is to create opportunities for people of all abilities, genders, sizes, and backgrounds to practice, research, and create innovative, inclusive dance.
In ABDP’s work, differences are regarded as creative strengths as we explore the choreographic possibilities of diverse ways of moving and perceiving. Our work blurs the boundaries between community-engaged and professional practice. We value the lived experience of movers both with and without disabilities and approach accessibility tools and practices as sources of generative artistic possibility. Our practice aims to dismantle assumptions, biases, and default notions around contemporary dance, the theatre, and the dancing body.
allbodiesdance.ca
Azul Carolina Duque (they/she) is a queer emergent performance artist from Colombia whose work weaves her practices as a death doula, a clown, and a music composer. She is a member of the Gesturing Towards Decolonial Futures Collective where her work focuses on hospicing worlds that are dying within and around us with care and integrity, as well as with attention to the lessons these deaths offer. Her work has taken her to Lebanon where she worked in Palestinian refugee camps, Nicaragua where she kick-started the land-based education program, in Aotearoa-New Zealand at the Orokonui Eco-Sanctuary, in Canada with TerraNova Nature School, ‘LOVE’ organization, and University of British Columbia, amongst others. She is also the producer of the tri-lingual podcast “In Earth’s Care” a conversation with Latin-American Indigenous Elders on the paradoxes of the ‘sustainability discourse’.
Kyra Royo Fay (they/she) is a sister, emerging interdisciplinary artist and youth worker. Born and raised by the waters of Indonesia, the Philippines and the United States, multiplicity and liminality are a primary exploration of her work and walking. In her various art-practices, she is called to the questions in the continuum where something becomes another. They are currently living on the unceded traditional territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səlilwətaɬ Nation in so called vancouver.
Pesewa is the musical project of Jeffrey Ellom, a settler of Ewe, Polish and Irish heritage who resides on unceded Lekwungen and W̱SÁNEĆ territories. His afrofuturist sound inspires movement and contemplation in turn, integrating indigenous Ghanaian instruments and musical forms with electronic drums and synthesized ambience. As a student of his musical inheritance, Pesewa aims to contribute to the artistic legacies of the Ewe people.
The Elite Squad is a community of Afro-dance enthusiasts dedicated to collaboration, community involvement, and artistic excellence. Our goal is to bring together diverse dancers to produce captivating performances that honour Afro-dance traditions. We believe in the power of teamwork and provide a nurturing environment for dancers to explore their art form. Through community engagement and artistic collaboration, we aim to create opportunities for positive social change and push the limits of traditional dance. Join us on this exciting journey to celebrate Afro-dance and make a positive impact through the power of dance
Carla Alcántara, Carolina Silva, and Marco Esccer converge as a dynamic collective, weaving their diverse talents into a tapestry of interdisciplinary artistry focused on migration.
Carla, a Mexican-born artist, founded TEMPO Dance & Visual Art, blending dance, photography, and videography to create accessible yet profound narratives.
Carolina, hailing from Colombia, infuses her musical expertise, spanning classical to folkloric styles, into the mix.She is currently working on highlighting her Latin heritage through her original compositions and performing in various festivals and venues in Vancouver.
Marco, a versatile queer dance artist and writer, brings his dance background, interdisciplinary art production and dance movement therapy lense to the collective. Marco's work delves into identity, healing and belonging. Together, they epitomize artistic convergence, exploring the universal human experience of migration through latin american narratives of movement, sound, and emotion.
Orchid Orchestra is a vibrant Vancouver-based musical force, fusing modern pop, hip-hop, and gospel for a uniquely soulful sound. Their journey began in 2022 as members found a rekindled passion for music within a vibrant choir community. Driven by a shared love of vulnerable expression, the six-piece band's connection was undeniable.
At the heart of Orchid Orchestra is songwriter Rupert Hudson. After immersing himself in a two-year meditation retreat, a wellspring of raw emotion found its way into the band's music, infusing their sound with authenticity. Orchid Orchestra's songs are candid reflections of collective experiences – trials, joys, and the beauty within life's imperfections.
The past year was pivotal: an unexpected $1000 investment fueled their first EP recording, strengthening the band's cohesion. Headlining shows yielded increasing crowds and impressive online streams. In 2023, they integrated cello into their live performances, adding depth and theatricality that moved audiences to tears.
Orchid Orchestra's growth is undeniable. From acoustic beginnings to impactful, emotionally charged shows, they leave a lasting impact on listeners, inviting them to connect on a deeper level.
Samantha Walters is an emerging interdisciplinary performance maker. Their most recent works examine ecological relationships and post-human spiritualities, with a heavy favour towards the weird, the dark, and the camp. She grew up in England and Hong Kong and holds a BFA honours in Theatre Performance from Simon Fraser University’s School for Contemporary Arts. Her work has been featured by companies such as Rumble Theatre, UNIT/PITT Society for Art and Critical Awareness, the Evergreen Cultural Centre, What Lab, the Or Festival, and IGNITE! Youth-Driven Arts Festival.
Carmen Wong is a Chinese Canadian multidisciplinary artist living on the ancestral, unceded territory of the kʷikʷəƛ̓əm (Kwikwetlem) First Nation. She explores a multitude of materials, including sculpture, textiles, painting, and installation. Wong is largely influenced by the many stories she comes across, from folklore to fairy tales, taking inspiration from the environment around her to create her own narratives. In her work, she examines the belief that every aspect of life can become their own story and that everything can be combined to open countless doors connecting new narratives for her to explore.
Elisha Wang is an interdisciplinary artist born and raised in China, who is now based in Vancouver, within the unceded traditional territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. Her artistic practice encompasses a profound exploration of themes such as identity, self-expression, and the intricate dimensions of perception through the lenses of space and time. At present, Wang's artistic practice predominantly revolves around the creation of mixed media drawings, digital works, and film photography.
soya (she/they) is an ecosexual queer, artist, and sex educator. Her shibari (a rope practice originated from Japan) is sensual, interpersonal, and playful. By queering shibari, she combines shibari and contact improv movement as ways to express emotional fluidity and body liberation. She believes interpersonal connections could be visualized and sensualized through rope. Every interaction is a unique exploration of tying though waves of movement and acts of care.
The Reverend Dr. Victoria Marie is originally from Brooklyn, New York. She has called Canada home since 1965 and Vancouver since 1979. She is a recovering alcoholic and has been sober since 1990. Since 2012, Victoria served as pastor of the Our Lady of Guadalupe Tonantzin Community until her retirement in September 2023. Victoria is a published author, her book "Transforming Addiction" is about the role of spirituality in learning recovery from addiction, published by Scholars Press.
She defines herself as a late blooming, self-taught watercolour and acrylic artist. Her visual art journey began in November 2020 at age 75. As she grows closer to joining them, Victoria feels compelled to form a relationship with her ancestors through art, that is, to portray the strength and compassion of the people who came before her before they were colonized by non-endemic religions. As a member of Sierra Club BC artists, she believes that we part of the earth community and have a responsibility to take care of the earth. This is reflected through her paintings. Victoria's work has been part of several exhibitions including the 2023 Vines Arts Festival and the 2023 PoMo Art Gallery's Art4Life exhibition.
Photo credit: Sarah Whitlam Photography
Chantelle Trainor-Matties is an artist from British Columbia, Canada with Nisga’a and Métis heritage that specializes in illustration, graphic design, painting as well as mural work. She works for herself and does freelance work for private and commercial clientele through her small business Frettchan Studios. Her work ranges from bold contemporary Northwest coast formline to charming cartoons to painterly realism.
Invisible Dream Caravan Collective is Sacha Ouellet, Gem Hall & Venus Noirre. Our creative & cultural work is part of the connective tissue that ties us together. We resist compulsory colonial religion & frameworks imposed upon us. Instead, we seek to break apart what the origin of the word religion means – to re-tie. We recreate & re-tie our collective liberation through our shared visions and common sense – just as the word ligament also means to tie – bone to bone. We challenge the concept of sanity & embrace mad ways of knowing & disabled ways of existing. We create spaces that honour our collective grief & joy. We write our own history books & share the aspects of what we want our cultures to be known for before & after the death of colonialism. We are the end-of-life caregivers of the systems that do not serve us. We are interwoven with the magic of our traditional teachings, intuitive wisdom, lineages of wise people, truth speaking, people who work with plants & animal medicines, dream work and visions, and a rich tapestry of gifts related to art, craft, music, dance, poetry, archetypes, folklore and symbolism that is represented in our work.
exposition of life is a series of artistic invitations which explores the movement and entanglement in how we lean into love, (un)become in loss, expand through lessons and be in relation to the land (which is beneath our feet & within our souls). through collective wi(th)nessing and poetic, photographic, multimedia expressions exposition of life attempts to create dialogue about how art is an essential tool for self determination, solidarity and a tangible catalyst for change.
Steph is a bookworm, undercover stylist, devoted moss petter and pro-amateur flower smeller. They are a queer, white settler living and working as an artist and clinic receptionist on ancestral and occupied ḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) land. They've been performing, creating and collaborating with fellow artists and friends within the local dance/arts community since 2011. They've presented work at Sawdust Collector, the Contemporary Art Gallery (Vancouver), Tremors Festival at Rumble Theatre, Shooting Gallery Performance Series #9, Café Concert #38, rEvolver Festival, interplay_2021, Boombox and curated performances in peoples' homes.stephcyr.cargo.site
Sami Shahin, a multi-disciplinary queer artist of Palestinian and Syrian heritage, is deeply rooted in illustration, digital art, and animation. Passionate about bolstering representation within the SWANA queer artist community, he intricately weaves his background into his art, drawing from the rich tapestry of Levantine Arab history with a pronounced focus on the liberation movements of the Palestinian people, interwoven with his gay identity.
Trained in traditional animation, concept art, and graphic design at the Vancouver Institute of Media Arts and Emily Carr University, Sami’s artistic canvas extends across marketing, animation, graphic design, illustration, and rug design. His art, vibrant in hues and unconventional perspectives, navigates profound themes while retaining an approachable aesthetic. This culminated in the publication of his inaugural children’s storybook, “Sophie’s Story: I Have Cancer,” in 2022.
Born in Damascus, Syria, Sami has traversed London, UK, and now resides on the unceded territory of the Coast Salish peoples—Sḵwx̱wú7mesh (Squamish), Stó:lō, and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) Nations.