Each year we deepen our collective roots and entangle with new relations. You are invited to a gathering of Indigenous artists; bold storytellers whose strength comes from their relationship to the land and culture. Despite the on-going gentrification of East Van, Urban Indigenous artists remind us colonial law is a fallacy on stolen land.
In partnership with Havana
Featuring
Keenan Marchand, jaz whitford, Lil Smudge and Prado Monroe
MC
Justin Ducharme
6:00 PM | Opening Welcome with Senaqwila Wyss
6:10 PM | Su Comandante – Migration: Return to the Source
This piece will interrogate what we are taught and how, and the ways in which music provides an alternative method of learning that can be more liberatory than those that dominate mainstream educational institutions. Mixing music and sound samples, Raul will share his story of how music became not only his way of surviving and expressing himself, but also his greatest teacher and a vehicle through which he now is able to share history, culture and empowerment with others.
6:35 PM | Redsun
7:10 PM | Iktome – The ocean holds me
A few songs that represent my yearning to be near water.
7:30 PM | Makeda Martin & Family
7:55 PM | Trickster Agenda
A collection of several acoustic songs that reflect on Marchand’s relationship with their homeland of the Okanagan and their complex feelings of longing, estrangement, fear and hope with it.
8:20 PM | Poyenten - Stay here with me
Singing traditional song that were passed down. Performing an original Rock music.
8:40 PM | Lil Smudge
Smudge is a 2-spirited Indigenous femmecee from both Kawacatoose First Nation of Treaty 4, and the Vuntut G’witchin nation. They grew up in the streets of the DTES estranged from their family for a number of years during their youth, and their music represents the journey to the person they’ve become today. From navigating a relationship with addiction, to living and loving with PTSD.. They have been repairing their relationship with self to heal their family and break curses with force... Smudge works to bring strong medicine in their art with every honest word, and struggle. Their music is produced authentically, and independently, with their friends from the East Van community and themselves, being solely responsible for the sounds they are about to share with us.
9:05 PM | Jody Okabe with Desirée Dawson
Ama sah, Jody di whyuu, Kitsumkalum di wil whatguu. My name is Jody Okabe and I am a Two Spirit Indigiqueer of Ts’msyen, Japanese and French ancestry and a member of Kitsumkalum. My family belongs to W’aap Koom, (The House of Raven) Ganhada Clan, and my people are from the sea. I grew up in Ts’msyen, Tse’Khene, and Lheidli T’enneh territory and am an uninvited guest here on the stolen, unceded and occupied homelands of the Xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and Sel̓íl̓witulh (Tsleil-Watuth) First Nations. I am a musician, facilitator, community outreach worker, and da’as biip (auntie/uncle).
Dii= łoomsk, sagayt= k’üülm g'oot.
Desirée Dawson is a multi-talented artist, celebrated for her remarkable gifts as a recording artist, songwriter, producer, and sound healing facilitator. Her main instrument is her powerful yet soothing voice although she is best known for accompanying her voice with her Baritone Ukulele. She can be found playing solo, as a duo or a full band. Her music has elements of folk, americana, alt-country, pop, soul and more but it's most often just referred to as a singer-songwriter.
Chantelle Trainor-Matties
Chantelle Trainor-Matties is an artist from British Columbia, Canada with Nisga’a and Métis heritage that specializes in illustration, graphic design, painting as well as mural work. She works for herself and does freelance work for private and commercial clientele through her small business Frettchan Studios. Her work ranges from bold contemporary Northwest coast formline to charming cartoons to painterly realism.
Hazel Arnold
Hazel Arnold is a Cree painter focusing in Native visual art. Hazel grew up in Ontario and Regina, Saskatchewan and spent most of her summers on Gordon’s Reserve in Saskatchewan where her passion for art was sparked by Sanford Fisher, an amputee who painted with his mouth. After taking a break from paitning for over 40 years, she returned to creating art in 2024 and received the Downtown Eastside Small Arts Grant. She wants to expand her education in fine arts by exploring other mediums and learning different techniques from other artists and would eventually like to present her work in other galleries in the future.
Rylee Taje
Rylee Taje (she/her) is a multidisciplinary artist currently studying and working at Emily Carr University of Art + Design on the lands that are stewarded and loved by the the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. She is working to obtain her bachelor’s in Critical + Cultural Practices with a minor in Curatorial Studies. Rylee grew up in amiskwaciwâskahikan on Treaty 6 territory, and is a member of Alexis Nakota Sioux Nation through her maternal line.
Soleilla Denomme
Raul grew up in El Salvador and moved to Canada when he was 13, living in Victoria until moving to East Vancouver in 2005. He is a self-taught turntablist who has been spinning vinyl for over 20 years. Raul currently works as an instructor at the Sarah McLachlan School of Music, as a music consultant at Highlife Records on Commercial Drive, and with the Metaphor Crew, doing youth empowerment workshops in schools. He is part of the band Curtis Clearsky and the Constellationz and is one half of the duo Los Migrates with poet Hari Alluri. He also regularly collaborates with musicians C.R. Avery, Kia Kadiri, and Ndidi Cascade; has performed at events like Victoria Ska Fest and the Vancouver International Jazz Festival; and has opened for bands like Ozomatli, k-os, and Fishbone.
Victoria Redsun // Sahgothé is Denesųłįné & Nîhitho from Etthén Tue (Reindeer Lake). They are a writer & multimedia visual artist. The word
Denesųłįné means the pure people who flow through the land. This is the way they have been taught through dreams, the old people and their travels. They have been screened and published internationally, and currently in production of a16mm film caribou hunting on their homelands while working towards liberation of our people.
My name is Iktome. I am a Two-spirit Penobscot and Nakota Sioux relative looking to pursue various ways of expressing myself that builds community. I love to sing, dance, write, share words with others, and learn.
Makeda Martin comes from a musical family. Sang in her younger years in a Gospel Group called S.O.S singers out of Brantford Ontario. I’m looking forward to sharing some improve, original and covers with those in attendance. Joining me will be Ethan Rivas my middle son and special guests who I’ll introduce on the day. Luke Huska and a few other local artists have been invited. See you soon and blessings to all. We are bringing some jazz, funk, rock and roots.
Trickster Agenda is the music project of Keenan Marchand, a Syilx Okanagan, Secwépemc and Mixed European multidisciplinary artist. Shapeshifting through styles and voices, Marchand weaves surreal stories that explore many different perspectives, from the personal to the otherworldly. Their work is genre-fluid, drawing influences from folk, country, indie, hiphop, punk and more.
My name is Poyenten (Nova). I am a 2-Spirit person from the Musqueam and Sumas First Nations. I am an artist/musician. I grew up immersed in the Musqueam Warrior Group, singing songs and performing the Warrior Dance. I have been a musician for 10 years, and graduated from Nimbus School of Recording Arts in 2019.
jaz is a secwe̓pemc & mixed settler interdisciplinary artist who embodies anti-professionalism & anti-colonialism as a way to move toward a future where indigenous knowledge and ways of being are not only respected, but valued & revered. using a range of materials, forms and mediums they work to investigate and express their lived experience and understanding of spirituality, resistance, ancestral connections, and community care.
jaz’s ancestry ties them to cstálen ( adams lake ) in unceded secwepemcúl’ecw in the southern interior of so-called “british columbia” where they had the privilege of being raised close with the lands and waters within their territories & beyond, and it informs their work expansively.
living predominantly on the west coast since 2017, the bulk of their work has bloomed within the territories of the Skwxwú7mesh, Səl̓ílwətaʔ, xʷməθkwəy̓əm, and Stó:lō where they have been overwhelmed with the warmheartedness & generosity of the host nations and allied communities.
jaz has been working under the mentorship of t’uy’t’tanat-cease wyss since 2019 learning ethnobotany and multi-media arts centred in Indigenous revitalization. they work care taking at x̱aw̓s shew̓áy̓, an indigenous rewilded plant space, as part of an ongoing project by t'uy't'tanat at gallery 221A. they are currently artist-in-residence at Vines Art Festival, an arts organization and festival that is responsive to and nurturing of artists that are working toward land, water, and relational justice.
Smudge is a 2-spirited Indigenous femmecee from both Kawacatoose First Nation of Treaty 4, and the Vuntut G’witchin nation.
They grew up in the streets of the DTES estranged from their family for a number of years during their youth, and their music represents the journey to the person they’ve become today. From navigating a relationship with addiction, to living and loving with PTSD.. They have been repairing their relationship with self to heal their family and break curses with force... Smudge works to bring strong medicine in their art with every honest word, and struggle.
Their music is produced authentically, and independently, with their friends from the East Van community and themselves, being solely responsible for the sounds they are about to share with us.
Chantelle Trainor-Matties is an artist from British Columbia, Canada with Nisga’a and Métis heritage that specializes in illustration, graphic design, painting as well as mural work. She works for herself and does freelance work for private and commercial clientele through her small business Frettchan Studios. Her work ranges from bold contemporary Northwest coast formline to charming cartoons to painterly realism.
Hazel Arnold is a Cree painter focusing in Native visual art. Hazel grew up in Ontario and Regina, Saskatchewan and spent most of her summers on Gordon’s Reserve in Saskatchewan where her passion for art was sparked by Sanford Fisher, an amputee who painted with his mouth. After taking a break from paitning for over 40 years, she returned to creating art in 2024 and received the Downtown Eastside Small Arts Grant. She wants to expand her education in fine arts by exploring other mediums and learning different techniques from other artists and would eventually like to present her work in other galleries in the future.
Rylee Taje (she/her) is a multidisciplinary artist currently studying and working at Emily Carr University of Art + Design on the lands that are stewarded and loved by the the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations. She is working to obtain her bachelor’s in Critical + Cultural Practices with a minor in Curatorial Studies. Rylee grew up in amiskwaciwâskahikan on Treaty 6 territory, and is a member of Alexis Nakota Sioux Nation through her maternal line.
Rylee works primarily in painting, and has a strong adoration for printmaking, beading, and drawing. Rylee’s work acts as a visual journal which inquires into personal stories and themes of care, family lines, and connection. A recurring relation in her work is the strawberry, which symbolizes the heart and tenderness. She often wonders what it means to encompass the strawberry when it comes to her responsibility as an Isga (Nakota Sioux) community member.
Ama sah, Jody di whyuu, Kitsumkalum di wil whatguu. My name is Jody Okabe and I am a Two Spirit Indigiqueer of Ts’msyen, Japanese and French ancestry and a member of Kitsumkalum. My family belongs to W’aap Koom, (The House of Raven) Ganhada Clan, and my people are from the sea. I grew up in Ts’msyen, Tse’Khene, and Lheidli T’enneh territory and am an uninvited guest here on the stolen, unceded and occupied homelands of the Xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and Sel̓íl̓witulh (Tsleil-Watuth) First Nations. I am a musician, facilitator, community outreach worker, and da’as biip (auntie/uncle).
Dii= łoomsk, sagayt= k’üülm g'oot.
Desirée Dawson is a multi-talented artist, celebrated for her remarkable gifts as a recording artist, songwriter, producer, and sound healing facilitator. Her main instrument is her powerful yet soothing voice although she is best known for accompanying her voice with her Baritone Ukulele. She can be found playing solo, as a duo or a full band. Her music has elements of folk, americana, alt-country, pop, soul and more but it's most often just referred to as a singer-songwriter.
She is actively songwriting in many genres outside of what she's known for and thrives in any song writing room. Notably, her outstanding musical journey includes a prestigious JUNO Award nomination for album of the year for her project "Meet You At The Light." Her excellence is further underscored by securing two SXSW Music Video Awards wins in 2022 and a distinguished UK Music Video Award nomination for international pop music video of the year, sharing that nomination slot with the likes of Lil Nas X , Rosalia and more.
Desirée is a Keychange alumni, being a part of the 2023 Keychange cohort, she spent a year getting connected with like minded change makers within the European market. Desirée’s musical influence reverberates far and wide, with her songs “Cup Of Tea” and "I Am Blessed” which have been achieving viral acclaim on platforms such as Instagram and TikTok, engaging audiences across the globe.
Multiple songs from her catalog have landed many placements in tv shows such as Wynonna Earp and Heartland, in advertisements like Destination Vancouver and other films and documentaries. Desirée passionately supports her community through a variety of music-based workshops and gatherings locally and internationally. Whether performing solo with her baritone Ukulele, in harmony with her band or leading sound healing workshops, Desirée’s music is made to get us feeling and healing.